- Abbate[1]
- Adam[2]
- Alfvén[2]
- Amirov[2]
- Arditi[2]
- Arensky[2]
- Bach[9]
- Bach, J. C.[1]
- Balfe[1]
- Barbieri[1]
- Bartók[3]
- Beethoven, van[3]
- Bellini[10]
- Benjamin[1]
- Berlioz[8]
- Bizet[16]
- Borodin[4]
- Bozza[1]
- Brahms[8]
- Bruch[1]
- Bruckner[8]
- Bucalossi[1]
- Busoni[1]
- Butterworth[1]
- Caccini[3]
- Capua, di[1]
- Cardillo[1]
- Catalani[1]
- Caturla[1]
- Chabrier[4]
- Chadwick[1]
- Chaminade[1]
- Chapí[1]
- Chopin[1]
- Chueca[3]
- Clarke[1]
- Corelli[1]
- Cottrau[1]
- Cui[1]
- Curtis, de[2]
- d'Indy[1]
- David[1]
- Debussy[10]
- Delibes[4]
- Delius[2]
- Demersseman[1]
- Denza[1]
- Ditters von Dittersdorf[1]
- Donizetti[7]
- Dostal[1]
- Dukas[2]
- Dvorak[17]
- Eccles[2]
- Eilenberg[1]
- Elgar[8]
- Falconiero[1]
- Falla, de[3]
- Fauré[7]
- Flotow, von[2]
- Franck[2]
- Fucik[4]
- Gabrieli[1]
- German[1]
- Gershwin[14]
- Gigout[1]
- Giménez[2]
- Ginastera[1]
- Giordani[4]
- Giordano[1]
- Glazunov[3]
- Glière[2]
- Glinka[4]
- Gluck, von[1]
- Godard[1]
- Golland[1]
- Gomes[1]
- Gottschalk[4]
- Gounod[18]
- Granados[1]
- Greef, de[1]
- Grieg[13]
- Grofé[1]
- Gruber[1]
- Halvorsen[3]
- Händel[4]
- Haydn[6]
- Hellmesberger[1]
- Herbert[3]
- Hérold[1]
- Holst[4]
- Hope[3]
- Hübler[1]
- Hummel[2]
- Humperdinck[4]
- Ippolitov-Ivanov[2]
- Iturralde[1]
- Janacek[1]
- Järnefelt[1]
- Joplin[1]
- Kabalevsky[3]
- Kalinkovich[1]
- Kalinnikov[1]
- Kálmán[4]
- Kashif[2]
- Khachaturian[7]
- Kodály[1]
- Krüs[1]
- Kuhlau[1]
- Lalliet[1]
- Lalo[1]
- Lanner[1]
- Lara[2]
- Larsson[1]
- Lebrun[1]
- Lehár[15]
- Leoncavallo[4]
- Liadow[4]
- Lincke[2]
- Liszt[3]
- Loeffler[1]
- Lord[1]
- Lortzing[1]
- Lumbye[2]
- Luna[1]
- Lyubomirsky[1]
- MacDowell[2]
- Mahler[26]
- Márquez[4]
- Mascagni[9]
- Massenet[6]
- Maurice[1]
- Mendelssohn[10]
- Mercadante[2]
- Meyerbeer[1]
- Milhaud[1]
- Millöcker[2]
- Monti[2]
- Moscheles[1]
- Mossolov[1]
- Mozart[51]
- Mozart, L.[2]
- Mussorgsky[4]
- Neruda[1]
- Nicolai[2]
- Nielsen[3]
- Offenbach[4]
- Pasculli[1]
- Pergolesi[5]
- Pierné[1]
- Ponchielli[4]
- Porrino[1]
- Poulenc[1]
- Prokofiev[6]
- Puccini[26]
- Purcell[1]
- Rachmaninov[11]
- Ravel[8]
- Reinecke[3]
- Respighi[9]
- Revueltas[4]
- Reznicek, v[1]
- Rimsky-Korsakov[15]
- Rosas[1]
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- Rota[1]
- Saint-Saëns[15]
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- Salunini[1]
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- Serrano[2]
- Shchedrin[1]
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- Sieczinsky[3]
- Smetana[3]
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- Stolz[2]
- Strauss, E.[2]
- Strauss, J.[79]
- Strauss, J. sr[3]
- Strauss, Jos.[2]
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- Teike[1]
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- trad.[6]
- Tschaikowsky[22]
- Turina[2]
- Vaughan Williams[4]
- Verdi[60]
- Vivaldi[3]
- Wagenaar[1]
- Wagner[23]
- Waldteufel[3]
- Walton[3]
- Weber, von[5]
- Wiedoeft[2]
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- Wood[1]
- x[0]
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- Andersen[3]
- Baars[16]
- Balmelli[19]
- Baumgartner[8]
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- Buch[3]
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- Claessens[15]
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- Dohmen[1]
- Donazzolo[1]
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- Feldman[2]
- Firmi[11]
- Fiuza[2]
- Gils, van[2]
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- Haeck[32]
- Hänle[3]
- Huyard[2]
- Janssen[55]
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- Jorge[1]
- Koninkx[20]
- Langeler[1]
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- McLain[96]
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- Nickel[3]
- Niese[79]
- Niese & Van de Braak[1]
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- Petit[1]
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- Represas Carrera[1]
- Roosen[1]
- Rouhl[2]
- Scheiwiller[11]
- Schüller[5]
- Schyns[39]
- Senén[3]
- Simons[2]
- Simons & Loenders[2]
- Somers[15]
- Stanke[2]
- Tamanini[48]
- Verbeek[5]
- Verheggen[2]
- Weeren[1]
- Weijer, van de [2]
- Wichen, van[4]
- Yassky[1]
- Zink[2]
- Zoelen, van[19]
PIANO CONCERTO NO.1
Pyotr Ilyich Tschaikowsky
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VILLANELLE
for Horn and Orchestra
Paul Dukas
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PRAELUDIUM
Armas Järnefelt
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TURKISH FRAGMENTS
Mikhail Ippolitov-Ivanov
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CHANSON DE MATIN
Edward Elgar
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CHANSON DE NUIT
Edward Elgar
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| Title | Si puo? Signore, Signori from the Opera Pagliacci |
| Composer | Leoncavallo |
| Arranger | Haeck |
| Duration | 06:00 |
| Grade | 3 |
| CD | - |
| Series | Baritone |
| Instrumentation | baritone and symphonic band |
| Number | BM151 |
| Price set (score+parts) | € 89,00 Add to cart |
| Price score | € 18,00 Add to cart |
| Info | Ruggiero Leoncavallo, both composer and librettist, based Pagliacci on real-life events he recalled from childhood. From these he fashioned a vivid musical play with intense passions build in the lives of a troupe of commedia dell'arte players until they explode into a horrifying double murder. From the first, audiences have loved Pagliacci and it remains today one of the most enduringly popular of all operas. |
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