- Adam[1]
- Bach[7]
- Barbieri[1]
- Bellini[7]
- Berlioz[8]
- Bizet[10]
- Borodin[1]
- Brahms[4]
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- Catalani[1]
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- Clarke[1]
- Corelli[1]
- Debussy[4]
- Delibes[1]
- Donizetti[6]
- Dukas[1]
- Dvorak[12]
- Elgar[3]
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- Fauré[3]
- Franck[1]
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- Gershwin[5]
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- Giménez[2]
- Ginastera[1]
- Giordano[1]
- Glinka[1]
- Gluck, von[1]
- Godard[1]
- Golland[1]
- Gottschalk[1]
- Gounod[9]
- Grieg[5]
- Grofé[1]
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- Haydn[4]
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- Humperdinck[4]
- Iturralde[1]
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- Kodály[1]
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- Larsson[1]
- Lehár[10]
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- Maurice[1]
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- Mercadante[2]
- Millöcker[1]
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- Mossolov[1]
- Mozart[27]
- Mozart, L.[1]
- Mussorgsky[2]
- Neruda[1]
- Nicolai[2]
- Nielsen[2]
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- Revueltas[3]
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- Salieri[1]
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- Sarasate, de[2]
- Schubert[4]
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- Serra[1]
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- Strauss, J.[28]
- Strauss, J. sr[1]
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- Suppé, von[1]
- Taneyev[1]
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- trad.[2]
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- Braak, vd[122]
- Bricault[3]
- Buch[3]
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- Dobbelstein[26]
- Drijvers[13]
- Dubbers[1]
- Dubois[8]
- Groningen, van[4]
- Haeck[26]
- Huyard[2]
- Janssen[26]
- Jense[1]
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- Langeler[1]
- McLain[36]
- Mertens[1]
- Miller[3]
- Mols[2]
- Mooren[3]
- Nickel[2]
- Niese[69]
- Outjers[1]
- Petit[1]
- Pontini[1]
- Rouhl[2]
- Schyns[7]
- Senén[3]
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- Simons & Loenders[1]
- Somers[12]
- Stanke[2]
- Tamanini[30]
- Verheggen[2]
- Weijer, van de [2]
- Yassky[1]
- Zoelen, van[5]
New Catalogue 2012_2013
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Ollantay
Tres Movimientos Sinfónicos
Alberto Ginastera
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Danzas Fantàsticas
Joaquín Turina
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Zigeunerweisen
Pablo de Sarasate
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Hänsel und Gretel
Engelbert Humperdinck
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Dichter und Bauer
Overture
Franz von Suppé
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| Title | XXVI Variazioni sulla Follia di Spagna |
| Composer | Salieri |
| Arranger | Drijvers |
| Duration | 22:00 |
| Grade | 5 |
| CD | - |
| Pricecode | I |
| Series | Orchestral |
| Instrumentation | symphonic band |
| Number | BM107 |
| Info | The stunning 'XXVI Variazioni sulla Follia di Spagna' was the last work by Antonio Salieri - a sort of brooding soliloquy but, at the same time, something of a massive study in timbre and instrumentation, much as Ravel's Bolero was to be in the 20th century.The theme had already been used by a great many composers (D'Anglebert, Corelli, Daquin, etc.) and was later to arouse the interest of Liszt and Rachmaninov. |
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